{"id":13697,"date":"2026-03-22T16:01:59","date_gmt":"2026-03-22T20:01:59","guid":{"rendered":"https:\/\/wecb.live\/?p=13697"},"modified":"2026-03-22T16:02:00","modified_gmt":"2026-03-22T20:02:00","slug":"you-only-love-once-perfect-teeth-by-unrest","status":"publish","type":"post","link":"https:\/\/wers.org\/wecb\/milkcrate\/you-only-love-once-perfect-teeth-by-unrest\/","title":{"rendered":"YOU ONLY LOVE ONCE: Perfect Teeth by Unrest"},"content":{"rendered":"<style>.wp-block-kadence-spacer.kt-block-spacer-13697_c98aa0-3f .kt-block-spacer{height:30px;}.wp-block-kadence-spacer.kt-block-spacer-13697_c98aa0-3f .kt-divider{border-top-width:1px;height:1px;border-top-color:var(--global-palette3, #1A202C);width:100%;border-top-style:solid;}<\/style>\n<div class=\"wp-block-kadence-spacer aligncenter kt-block-spacer-13697_c98aa0-3f\"><div class=\"kt-block-spacer kt-block-spacer-halign-center\"><hr class=\"kt-divider\"\/><\/div><\/div>\n\n\n<style>.wp-block-kadence-advancedheading.kt-adv-heading13697_4856ce-79, .wp-block-kadence-advancedheading.kt-adv-heading13697_4856ce-79[data-kb-block=\"kb-adv-heading13697_4856ce-79\"]{text-align:center;font-style:normal;}.wp-block-kadence-advancedheading.kt-adv-heading13697_4856ce-79 mark.kt-highlight, .wp-block-kadence-advancedheading.kt-adv-heading13697_4856ce-79[data-kb-block=\"kb-adv-heading13697_4856ce-79\"] mark.kt-highlight{font-style:normal;color:#f76a0c;-webkit-box-decoration-break:clone;box-decoration-break:clone;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.wp-block-kadence-advancedheading.kt-adv-heading13697_4856ce-79 img.kb-inline-image, .wp-block-kadence-advancedheading.kt-adv-heading13697_4856ce-79[data-kb-block=\"kb-adv-heading13697_4856ce-79\"] img.kb-inline-image{width:150px;vertical-align:baseline;}<\/style>\n<h5 class=\"kt-adv-heading13697_4856ce-79 wp-block-kadence-advancedheading\" data-kb-block=\"kb-adv-heading13697_4856ce-79\">Every Sunday, <em>milk crate<\/em> revisits an iconic piece of music history\u2014artist, album, or otherwise\u2014as a part of our weekly crate digging series.<\/h5>\n\n\n<style>.wp-block-kadence-spacer.kt-block-spacer-13697_3dab78-06 .kt-block-spacer{height:60px;}.wp-block-kadence-spacer.kt-block-spacer-13697_3dab78-06 .kt-divider{border-top-width:1px;height:1px;border-top-color:var(--global-palette3, #1A202C);width:100%;border-top-style:solid;}<\/style>\n<div class=\"wp-block-kadence-spacer aligncenter kt-block-spacer-13697_3dab78-06\"><div class=\"kt-block-spacer kt-block-spacer-halign-center\"><hr class=\"kt-divider\"\/><\/div><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"410\" src=\"https:\/\/wers.org\/wecb\/wp-content\/uploads\/sites\/4\/2026\/03\/unrestbannerdesign_00000-1024x410.jpg\" alt=\"\" class=\"wp-image-13698\" srcset=\"https:\/\/wers.org\/wecb\/wp-content\/uploads\/sites\/4\/2026\/03\/unrestbannerdesign_00000-1024x410.jpg 1024w, https:\/\/wers.org\/wecb\/wp-content\/uploads\/sites\/4\/2026\/03\/unrestbannerdesign_00000-300x120.jpg 300w, https:\/\/wers.org\/wecb\/wp-content\/uploads\/sites\/4\/2026\/03\/unrestbannerdesign_00000-768x307.jpg 768w, https:\/\/wers.org\/wecb\/wp-content\/uploads\/sites\/4\/2026\/03\/unrestbannerdesign_00000-1536x614.jpg 1536w, https:\/\/wers.org\/wecb\/wp-content\/uploads\/sites\/4\/2026\/03\/unrestbannerdesign_00000-2048x819.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Design by Diego Gonzalez<\/p>\n\n\n<style>.wp-block-kadence-advancedheading.kt-adv-heading13697_c47934-d2, .wp-block-kadence-advancedheading.kt-adv-heading13697_c47934-d2[data-kb-block=\"kb-adv-heading13697_c47934-d2\"]{font-style:normal;}.wp-block-kadence-advancedheading.kt-adv-heading13697_c47934-d2 mark.kt-highlight, .wp-block-kadence-advancedheading.kt-adv-heading13697_c47934-d2[data-kb-block=\"kb-adv-heading13697_c47934-d2\"] mark.kt-highlight{font-style:normal;color:#f76a0c;-webkit-box-decoration-break:clone;box-decoration-break:clone;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.wp-block-kadence-advancedheading.kt-adv-heading13697_c47934-d2 img.kb-inline-image, .wp-block-kadence-advancedheading.kt-adv-heading13697_c47934-d2[data-kb-block=\"kb-adv-heading13697_c47934-d2\"] img.kb-inline-image{width:150px;vertical-align:baseline;}<\/style>\n<h2 class=\"kt-adv-heading13697_c47934-d2 wp-block-kadence-advancedheading\" data-kb-block=\"kb-adv-heading13697_c47934-d2\"><strong>By Emeline Chopin<\/strong><\/h2>\n\n\n\n<p>The films of Gregg Araki\u2019s Teen Apocalypse trilogy are charged with the kind of raw, underground energy that sucks you in without ever even trying. They perfectly capture the feeling of being a young adult learning to navigate a messy world of drugs, desire, and decadence, and it makes total sense that the music of Unrest shows up on the soundtrack several times. With their effortlessly cool, lo-fi sound and their lyrics ranging from sweet to sardonic, it\u2019s obvious that they were riding the same wavelength when they were making their 1993 album <em>Perfect Teeth<\/em>. I was first introduced to the album when I watched <em>The Doom Generation <\/em>(1995), and now every time I put it on I feel like I\u2019m tuning into the vibe of that movie. It\u2019s scrappy, stylish, and surreal through and through, so when I managed to snag an original pressing vinyl box set, I knew exactly what I wanted to write about.<\/p>\n\n\n\n<p>Unrest, a title derived from the Henry Cow album by the same name, was formed in 1983 by musicians Mark Robinson, Phil Krauth, and Tim Moran as one of many projects under Robinson\u2019s record label TeenBeat. Other bands included Air Miami, Grenadine, and Flin Flon, all started by Robinson as well. TeenBeat had humble beginnings, originally functioning as a sort of listening library for Robinson\u2019s classmates at Wakefield High School in Arlington, Virginia. With the help of his friends Andrew Beaujon (of Eggs) and Ian Zack (of Thirsty Boys), he compiled a collection of albums, mostly original recordings of Unrest\u2019s practices, that could be borrowed for a few days at a time. As the years went by, TeenBeat grew larger. Although it was originally founded with the goal of releasing music by local artists, over 100 bands have been featured on its bill since its inception in 1984. Among other artists such as Bratmobile, Gastr del Sol, and Velocity Girl, the record label also released some of Robinson\u2019s solo work.<\/p>\n\n\n\n<p>TeenBeat was a cornerstone of the underground scene in Washington, D.C., and Unrest quickly followed suit. The band\u2019s commitment to strengthening the community while maintaining complete creative control over their work made them a crucial part of the DIY community as well, emphasizing their rejection of commercial success and dedication to anti-consumerism. Unlike many other local artists at the time, Unrest had a clean yet eclectic sound that made them more accessible, while also differentiating them from their hardcore leaning peers.<\/p>\n\n\n\n<p>Seeing as the band was formed around the idea of never playing the same song twice, their earlier material was all over the place, with influences from everything punk to funk. In 1990, Robinson and Krauth were joined by bassist Bridget Cross, the former vocalist of Velocity Girl, who transformed Unrest\u2019s style from deeply avant-garde to a more minimalist, indie-pop sound. The group released two full-length albums with this lineup, <em>Perfect Teeth<\/em> and <em>Imperial f.f.r.r. <\/em>(1992), both of which primarily featured their warm, atmospheric sound of the time. Several tracks within these bodies of work, as well as a few of their EPs released around the same time, still reflected their experimental origins though, often combining percussive elements with samples of beeps and sirens.&nbsp;<\/p>\n\n\n\n<p>Unrest disbanded in 1994, making <em>Perfect Teeth<\/em> their last album. It was originally released by TeenBeat and then distributed later on by the iconic independent record label 4AD. \u201cAngel I\u2019ll Walk You Home\u201d opens the album up ever so gently with a minimalist chord progression repeated by the bass and guitar, followed by a wordless vocal arrangement. Listening to it almost feels like an intimate conversation. The band\u2019s decision to create an album without using any effects pedals allowed Robinson\u2019s guitar to really shine through, giving it a clean yet jangly sound. The vocals of Robinson, Cross, and Kauth, who all took turns singing on different tracks, further established the soft and casual vibe. Unrest\u2019s first album included an insert with \u201cYOU ONLY LOVE ONCE!\u201d written on it, and the lyrics of <em>Perfect Teeth<\/em> definitely maintained that same levitous, romantic energy. It\u2019s definitely noticeable on tracks like \u201cMake Out Club\u201d where Krauth sings \u201cYou are the very first one \/ making out all over me,\u201d and \u201cSix Layer Cake,\u201d where Robinson sings \u201cI called you with my head \/ My fingers, your lips to my hand.\u201d<\/p>\n\n\n\n<p>At its heart, Unrest\u2019s music has always been moved by desire, and their final album was no exception. It\u2019s a romantic, restless, and somewhat reckless landmark of the indie-pop genre. Each and every track is humming with the tumultuous push-and-pull of youth, its lyrics replete with intimate confessions and fleeting connections. <em>Perfect Teeth<\/em> is authentically vulnerable in a way that still resonates decades later as a true indie-pop expression of longing.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>At its heart, Unrest\u2019s music has always been moved by desire, and their final album was no exception. It\u2019s a romantic, restless, and somewhat reckless landmark of the indie-pop genre. Each and every track is humming with the tumultuous push-and-pull of youth, its lyrics replete with intimate confessions and fleeting connections. Perfect Teeth is authentically vulnerable in a way that still resonates decades later as a true indie-pop expression of longing.<\/p>\n","protected":false},"author":101,"featured_media":13699,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-13697","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>YOU ONLY LOVE ONCE: Perfect Teeth by Unrest - wecb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/wers.org\/wecb\/milkcrate\/you-only-love-once-perfect-teeth-by-unrest\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"YOU ONLY LOVE ONCE: Perfect Teeth by Unrest - wecb\" \/>\n<meta property=\"og:description\" content=\"At its heart, Unrest\u2019s music has always been moved by desire, and their final album was no exception. 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