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Graphics with a pail orange background, orange text that reads the main title "Unexpected Combebacks" overhead, and "Artists Who Caught A Second Wind" at the bottom. Black and white headshots of The Cranberries' Dolores O’Riordan, Jeff Buckley, Billy Joel and Kate Bush are in the center along with a cassette and earbuds.
Graphics by Celia Abbott

Whether it’s a cross-genre cover that brings new attention to the original, or movie features that bring on a resurgence, or a seemingly random TikTok trend, many artists have had their songs make unexpected comebacks recently. Our music team is here for the second wind they’ve caught. Read on as we unpack examples, from Sophie Ellis-Bextor’s “Murder On the Dancefloor” to “Linger” by the Cranberries.

 

SOPHIE ELLIS-BEXTOR — “MURDER ON THE DANCEFLOOR” 

Originally released in 2001 on Sophie Ellis-Bextor’s debut album Read My Lips, “Murder on the Dancefloor” is the pinnacle of early 2000s disco pop. The song was beloved across the UK and the United States when it was released, and remained on the UK charts throughout 2002. This hit song was lost to the tale of time until the release of Emerald Fennell's Saltburn, in November of 2023. The psychological thriller focuses on themes of wealth, power, and eccentricism. The ending scene features the main character dancing to the 2001 hit. Many viewers left the theater stunned, and with a newfound love for a long-lost hit. Filmmaker Emerald Fennell also aided an unexpected comeback in 2020, when she gave new life to Paris Hilton’s “Stars Are Blind” with her film Promising Young Women. 

Since the release of Saltburn, “Murder on the Dancefloor” has soared back up the charts, re-entering charts in the US, UK, and the Billboard Global 200. This song has also gone viral on Tiktok, despite it being removed shortly after when Universal Music Group pulled their catalog from the platform. Still, the film has managed to bring a whole new life to this song, introducing it to new audiences who weren’t alive to hear it in its prime. Ellis-Bextor has since performed the song at the film’s premier, and more recently the 2024 BAFTAs, where Saltburn was nominated for five awards. Upbeat, catchy and fun, this song will surely be loved for generations.

- Avieana Rivera, Staff Writer

 

TRACY CHAPMAN — “FAST CAR”

In what many (rightfully) called the best moment of the 2024 Grammy Awards, musical legend Tracy Chapman made her first televised appearance in close to a decade to perform her song “Fast Car” alongside country star Luke Combs. Combs had released a more straightforward country take on the song, which originally leaned more into blues rock, in 2023. And as he breathed new life into this 1988 classic, a whole new audience discovered Chapman’s voice — whether her literal voice if they took the extra step of listening to the original, or at the very least her masterful songwriting. When the two came out together at the Grammys, it was clear that Combs had nothing but a deep admiration for Chapman and had no intention to overshadow her. The day after the awards show broadcasted, U.S. streams on Chapman’s original version of “Fast Car” tripled, measuring at close to 637,000 streams according to Luminate. 

Chapman has broken barriers across her career, in the country industry in the wake of Luke Combs’ “Fast Car” cover, and beyond. She was only the second Black woman to win Best New Artist when she did so in 1988, and more recently, she became the first Black person to hold sole songwriting credits on a number one song on the Billboard country charts, and first Black person to win the Country Music Awards’ Song of the Year. 

Chapman’s narrative in “Fast Car” about a working class couple hoping for a better future despite challenges, holds a message that’s just as relevant today as it was in ‘88. But this song is just the tip of the iceberg in her wonderful catalog, and it is hopefully inspiring a new appreciation of all of her musical contributions 

- Nora Onanian, Web Services Coordinator

 

THE CRANBERRIES — “LINGER” 

The Cranberries were first introduced to the music scene branded as ‘an alternative’ to alternative rock during the ’90s. With clever lyricism, dreamy instrumentals and Dolores O’Riordan’s beautiful vocals, the Irish band established an unapologetic feminine sound to a genre that was populated by male singers. Between their most notable albums, No Need to Argue (1994) and Everyone Else Is Doing It, So Why Can’t We? (1993), the ladder stands out as it includes two of their most famous songs, “Linger” and “Dreams.” 

In recent years, the Cranberries have attracted fans from newer generations. This is linked to the rise of TikTok, which helped popularize the track “Linger” with memes surrounding the “letting-it-linger mindset.” Likewise, their songs have been featured in plenty of media, such as Derry Girls (2018-2022) and Pen15 (2019-2021). With this continuous usage, it is clear the band is not saying goodbye anytime soon, but we are not complaining. Afterall, when it comes to being wrapped around someone’s fingers, who could possibly be better up for the job than the Cranberries? 

- Jimena Cieza, Staff Writer

 

BILLY JOEL

When I picture Billy Joel, I think of moments when I was little. Maybe my dad held the wheel and drove me somewhere. Probably while home, and at night time too, when Billy Joel’s voice felt the most comforting after a long day at school. He is the epitome of the magic of '70s-’80s rock — an ageless and endearing nostalgic figure and sound. He is a legend who has captivated the music industry and audiences across generations. After all, with iconic songs like “Zanzibar” and “Vienna” trending every now and then on platforms like TikTok, Billy Joel’s music has transcended the ever-changing music industry. It has captured the hearts of Gen Z and beyond. 

With 33 Top 40 hits, 23 Grammy nominations, 6 Grammy wins, and being recognized by Madison Square Garden as their first “music” franchise, Billy Joel is surely an accomplished musician. Since the start of his career in 1971, he has sold over 150 million records, performed about a 100 times in Madison Square Garden alone, won several awards and recognitions, and been deemed an “icon,” a “legend,” and a musician whose impact within the music industry is “incomparable.” If you are a fan of his and think his trending on TikTok is unexpected, you may be more surprised (and excited!) to know he released a new single, titled “Turn The Lights Back On.” It’s been 17 years since he last released music, leaving many fans moved and stoked for what’s to come from this famed “Piano Man.”

- Isabella Kohn, Staff Writer

 

MARINA DIAMANDIS 

Most well-known for tracks like “Primadonna” and “How To Be A Heartbreaker” from Electra Heart (2012), Welsh singer-songwriter MARINA (previously Marina and the Diamonds) has been an active force in pop music since 2009. Marina Diamandis pioneered a hoard of Tumblr teens and angsty fans in the mid-2010s, and her reputation lives on through a mass of 20-somethings today. 

Though MARINA never fell into obscurity or out of rotation for adoring fans and pop heads alike, her popularity has uniquely surged past Electra Heart fame in recent years due to the use of her songs on TikTok. Particularly, tracks from her debut album, The Family Jewels (2010), have received fresh admiration and reached a newer generation by way of the social media app. Songs like “Hermit the Frog” and “Are You Satisfied?” are the soundtracks to various, addictive trends. Possibly the most successful rebirth of one of MARINA’s tracks is the 2010 single “Oh No!” — even the official music video’s title was changed to match the snippet most used widely on the short-form video platform. MARINA herself has invited, and played along, with these trends, posting her own TikTok content and lip syncing along to her own voice. 

- Sofia Giarrusso, Staff Writer

 

JEFF BUCKLEY — “LOVER, YOU SHOULD’VE COME OVER”

The American rock musician Jeff Buckley rose to fame in New York in the early 1990s, and is once again coming back into the spotlight. Buckley was a singer, song-writer and guitarist. He was originally from California but reinvented himself and moved to New York City in 1990. At the start of his time in New York, he gained his fame from playing mostly cover songs. Buckley slowly started transitioning to performing his own written music, amassing a large following across America. Buckley unfortunately passed away in 1997 after releasing only one full studio album in 1994, titled Grace

While there are multiple songs that Buckley became known for during his time, including his cover of “Hallelujah” by Leonard Cohen, and his own songs “Last Goodbye” and “Grace,” there is one song in particular that has come back and taken the internet by storm. “Lover, You Should’ve Come Over,” the seventh track on Grace has made a prominent resurgence on TikTok after sound clips of the song went viral, including Buckleys live performances and the studio version of the song. Buckley’s lyricism and striking voice are prominent in this song that is full of heartache and yearning, and it is truly not a surprise that it has gained a new following in the 20th century. Though “Lover, you Should’ve Come Over” is one of Buckley’s most popular songs right now, a few other of his songs have also gone viral on TikTok, contributing to the new growth of fans for his music. As can be seen from Buckley’s return to fame from beyond the grave, appreciation and enjoyment of heartfelt and bittersweet music really is ‘never over.’

- Caitlin Molloy, Staff Writer 

 

KATE BUSH — “RUNNING UP THAT HILL”

(Quoted from our 2022 Pick of the Week amid the song’s resurgence. By Tatum Jenkins, former Music Coordinator)

“37 years after its release, “Running Up That Hill (A Deal With God)” from Kate Bush is receiving the attention it fully deserves. We have the popular Netflix series Stranger Things to thank for the resurgence of this song. Nora Felder, the music supervisor of Stranger Things, was who first reached out to Bush about using “Running Up That Hill.” Bush reportedly agreed because she's a fan of the show. After “Running Up That Hill" was featured in a critical part of the plot in the first volume of season four, people have flocked to listen to the track. Because of Stranger Things, “Running Up That Hill” has found itself on top charts in Britain and the US with streaming numbers that would make the average person’s eyes boggle. 

Bush has since commented on the attention the song has received. She wrote, “I want to thank [the Duffer Brothers (the creators of Stranger Things)] so much for bringing the song into so many people’s lives… I have to admit I feel really moved by it all.” As an artist who has hidden from the spotlight, this message proves just how wild the streaming phenomenon around this song is.

She’s already broken quite a few records with this song. These include Bush becoming the oldest female artist to score a no. 1 hit and the longest time a song has taken to reach no. 1 on the charts. But there may be more in store if fans continue to listen. While Bush doesn’t do much press or live performances, I think we can only expect more love for Kate Bush from the attention garnered by “Running Up That Hill.” As more and more young people discover her discography, her genius and contributions to music will be recognized even further.”

SOPHIE ELLIS-BEXTOR — “MURDER ON THE DANCEFLOOR” 

Originally released in 2001 on Sophie Ellis-Bextor’s debut album Read My Lips, “Murder on the Dancefloor” is the pinnacle of early 2000s disco pop. The song was beloved across the UK and the United States when it was released, and remained on the UK charts throughout 2002. This hit song was lost to the tale of time until the release of Emerald Fennell's Saltburn, in November of 2023. The psychological thriller focuses on themes of wealth, power, and eccentricism. The ending scene features the main character dancing to the 2001 hit. Many viewers left the theater stunned, and with a newfound love for a long-lost hit. Filmmaker Emerald Fennell also aided an unexpected comeback in 2020, when she gave new life to Paris Hilton’s “Stars Are Blind” with her film Promising Young Women. 

Since the release of Saltburn, “Murder on the Dancefloor” has soared back up the charts, re-entering charts in the US, UK, and the Billboard Global 200. This song has also gone viral on Tiktok, despite it being removed shortly after when Universal Music Group pulled their catalog from the platform. Still, the film has managed to bring a whole new life to this song, introducing it to new audiences who weren’t alive to hear it in its prime. Ellis-Bextor has since performed the song at the film’s premier, and more recently the 2024 BAFTAs, where Saltburn was nominated for five awards. Upbeat, catchy and fun, this song will surely be loved for generations.

- Avieana Rivera, Staff Writer

 

TRACY CHAPMAN — “FAST CAR”

In what many (rightfully) called the best moment of the 2024 Grammy Awards, musical legend Tracy Chapman made her first televised appearance in close to a decade to perform her song “Fast Car” alongside country star Luke Combs. Combs had released a more straightforward country take on the song, which originally leaned more into blues rock, in 2023. And as he breathed new life into this 1988 classic, a whole new audience discovered Chapman’s voice — whether her literal voice if they took the extra step of listening to the original, or at the very least her masterful songwriting. When the two came out together at the Grammys, it was clear that Combs had nothing but a deep admiration for Chapman and had no intention to overshadow her. The day after the awards show broadcasted, U.S. streams on Chapman’s original version of “Fast Car” tripled, measuring at close to 637,000 streams according to Luminate. 

Chapman has broken barriers across her career, in the country industry in the wake of Luke Combs’ “Fast Car” cover, and beyond. She was only the second Black woman to win Best New Artist when she did so in 1988, and more recently, she became the first Black person to hold sole songwriting credits on a number one song on the Billboard country charts, and first Black person to win the Country Music Awards’ Song of the Year. 

Chapman’s narrative in “Fast Car” about a working class couple hoping for a better future despite challenges, holds a message that’s just as relevant today as it was in ‘88. But this song is just the tip of the iceberg in her wonderful catalog, and it is hopefully inspiring a new appreciation of all of her musical contributions 

- Nora Onanian, Web Services Coordinator

 

THE CRANBERRIES — “LINGER” 

The Cranberries were first introduced to the music scene branded as ‘an alternative’ to alternative rock during the ’90s. With clever lyricism, dreamy instrumentals and Dolores O’Riordan’s beautiful vocals, the Irish band established an unapologetic feminine sound to a genre that was populated by male singers. Between their most notable albums, No Need to Argue (1994) and Everyone Else Is Doing It, So Why Can’t We? (1993), the ladder stands out as it includes two of their most famous songs, “Linger” and “Dreams.” 

In recent years, the Cranberries have attracted fans from newer generations. This is linked to the rise of TikTok, which helped popularize the track “Linger” with memes surrounding the “letting-it-linger mindset.” Likewise, their songs have been featured in plenty of media, such as Derry Girls (2018-2022) and Pen15 (2019-2021). With this continuous usage, it is clear the band is not saying goodbye anytime soon, but we are not complaining. Afterall, when it comes to being wrapped around someone’s fingers, who could possibly be better up for the job than the Cranberries? 

- Jimena Cieza, Staff Writer

 

BILLY JOEL

When I picture Billy Joel, I think of moments when I was little. Maybe my dad held the wheel and drove me somewhere. Probably while home, and at night time too, when Billy Joel’s voice felt the most comforting after a long day at school. He is the epitome of the magic of '70s-’80s rock — an ageless and endearing nostalgic figure and sound. He is a legend who has captivated the music industry and audiences across generations. After all, with iconic songs like “Zanzibar” and “Vienna” trending every now and then on platforms like TikTok, Billy Joel’s music has transcended the ever-changing music industry. It has captured the hearts of Gen Z and beyond. 

With 33 Top 40 hits, 23 Grammy nominations, 6 Grammy wins, and being recognized by Madison Square Garden as their first “music” franchise, Billy Joel is surely an accomplished musician. Since the start of his career in 1971, he has sold over 150 million records, performed about a 100 times in Madison Square Garden alone, won several awards and recognitions, and been deemed an “icon,” a “legend,” and a musician whose impact within the music industry is “incomparable.” If you are a fan of his and think his trending on TikTok is unexpected, you may be more surprised (and excited!) to know he released a new single, titled “Turn The Lights Back On.” It’s been 17 years since he last released music, leaving many fans moved and stoked for what’s to come from this famed “Piano Man.”

- Isabella Kohn, Staff Writer

 

MARINA DIAMANDIS 

Most well-known for tracks like “Primadonna” and “How To Be A Heartbreaker” from Electra Heart (2012), MARINA (previously Marina and the Diamonds) has been an active force in pop music since 2009. Marina Diamandis pioneered a hoard of Tumblr teens and angsty fans in the mid-2010s, and her reputation lives on through a mass of 20-somethings today. 

Though MARINA never fell into obscurity or out of rotation for adoring fans and pop heads alike, her popularity has uniquely surged past Electra Heart fame in recent years due to the use of her songs on TikTok. Particularly, tracks from her debut album, The Family Jewels (2010), have received fresh admiration and reached a newer generation by way of the social media app. Songs like “Hermit the Frog” and “Are You Satisfied?” are the soundtracks to various, addictive trends. Possibly the most successful rebirth of one of MARINA’s tracks is the 2010 single “Oh No!” — even the official music video’s title was changed to match the snippet most used widely on the short-form video platform. MARINA herself has invited, and played along, with these trends, posting her own TikTok content and lip syncing along to her own voice. 

- Sofia Giarrusso, Staff Writer

 

JEFF BUCKLEY — “LOVER, YOU SHOULD’VE COME OVER”

The American rock musician Jeff Buckley rose to fame in New York in the early 1990s, and is once again coming back into the spotlight. Buckley was a singer, song-writer and guitarist. He was originally from California but reinvented himself and moved to New York City in 1990. At the start of his time in New York, he gained his fame from playing mostly cover songs. Buckley slowly started transitioning to performing his own written music, amassing a large following across America. Buckley unfortunately passed away in 1997 after releasing only one full studio album in 1994, titled Grace

While there are multiple songs that Buckley became known for during his time, including his cover of “Hallelujah” by Leonard Cohen, and his own songs “Last Goodbye” and “Grace,” there is one song in particular that has come back and taken the internet by storm. “Lover, You Should’ve Come Over,” the seventh track on Grace has made a prominent resurgence on TikTok after sound clips of the song went viral, including Buckleys live performances and the studio version of the song. Buckley’s lyricism and striking voice are prominent in this song that is full of heartache and yearning, and it is truly not a surprise that it has gained a new following in the 20th century. Though “Lover, you Should’ve Come Over” is one of Buckley’s most popular songs right now, a few other of his songs have also gone viral on TikTok, contributing to the new growth of fans for his music. As can be seen from Buckley’s return to fame from beyond the grave, appreciation and enjoyment of heartfelt and bittersweet music really is ‘never over.’

- Caitlin Molloy, Staff Writer 

 

KATE BUSH — “RUNNING UP THAT HILL”

(Quoted from our 2022 Pick of the Week amid the song’s resurgence. By Tatum Jenkins, former Music Coordinator)

“37 years after its release, “Running Up That Hill (A Deal With God)” from Kate Bush is receiving the attention it fully deserves. We have the popular Netflix series Stranger Things to thank for the resurgence of this song. Nora Felder, the music supervisor of Stranger Things, was who first reached out to Bush about using “Running Up That Hill.” Bush reportedly agreed because she's a fan of the show. After “Running Up That Hill" was featured in a critical part of the plot in the first volume of season four, people have flocked to listen to the track. Because of Stranger Things, “Running Up That Hill” has found itself on top charts in Britain and the US with streaming numbers that would make the average person’s eyes boggle. 

Bush has since commented on the attention the song has received. She wrote, “I want to thank [the Duffer Brothers (the creators of Stranger Things)] so much for bringing the song into so many people’s lives… I have to admit I feel really moved by it all.” As an artist who has hidden from the spotlight, this message proves just how wild the streaming phenomenon around this song is.

She’s already broken quite a few records with this song. These include Bush becoming the oldest female artist to score a no. 1 hit and the longest time a song has taken to reach no. 1 on the charts. But there may be more in store if fans continue to listen. While Bush doesn’t do much press or live performances, I think we can only expect more love for Kate Bush from the attention garnered by “Running Up That Hill.” As more and more young people discover her discography, her genius and contributions to music will be recognized even further.”

Phil Jones holding a WERS 75th Birthday coffee mug in front of the on-air light

Our afternoon host, Phil Jones is leaving WERS after Friday March 22nd.  Don’t worry, it’s all good for him!  He’s moving on to bigger things as the Operations manager at WCRB (oooh, fancy!)

THE HISTORY OF PHIL

Even though we’re sad to be losing him, we’re proud of him and his journey: starting as student  “You Are Here” reporter, then an over-enthusiastic (his words) part-time Sunday night host, eventually becoming a member of the professional staff in 2018 as Afternoon Host, Content Coordinator.

He provided mentorship to so many students and was the swiss army knife of the station. If you had a question (especially about Standing Room Only), you asked Phil.  We are so thankful for his 10(!) years of passion and commitment to WERS and proud of him becoming another media success story of our first 75 years of broadcasting at Emerson College.

Thanks Phil!  Your “true North” compass will be remembered and carried on by all of us!

ALL THE PHILS!  SPECIAL PROGRAMMING MARCH 15-22

We're sending him off in style during his last week (March 15-22)

Afternoons at 2: Phil-hosted archive sessions from Studio 88-9

  • Monday: Bombay Bicycle Club live before their show at Royale!
  • Tuesday: Amanda Palmer
  • Wednesday: Steve Earle from 2017!

Thursday morning he’ll join George to talk ‘ERS music and memories

Friday: It’s a “Phil for All” where he plays his favorite songs and artists one last time!

Join us in wishing Phil the best in his next adventure.  Leave your well-wishes, goodbyes, or memories in the form below.

Leave Your Goodbye Message for Phil Jones!

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Graphics with a black border and bright pink background with text that reads "Good Together" in the center and "Lake Street Dive" along the bottom. A guitar pick in the top left corner says "WERS 88.9 Pick of the Week"
Graphics by Sarah Tarlin

By Mason Standish, Staff Writer

Hailing from Boston, Massachusetts, Lake Street Dive delivers a soulful and captivating track with their latest release "Good Together." True to their signature sound that has garnered them a dedicated fan base, the smooth blend of jazz-infused instrumentation and powerhouse vocals creates an irresistible groove that hooks listeners from the first note. With a masterful combination of bass, drums and trumpet, the band crafts an easy-listening landscape that is both rich and dynamic. 

"Good Together" showcases the band's ability to whip-up infectious melodies while also delving into poignant lyrical themes. Penned by bandmates Rachael Price and Mike Olson, the lyrics explore the complexities of relationships and the struggle to maintain a sense of unity amidst adversity. Through vivid storytelling and heartfelt vocals, the song captures the bittersweet essence of companionship. 

 

THE INTERESTING CONTRAST STRUCK BETWEEN THE LYRICS AND SOUND

The instrumentation in "Good Together" serves as a perfect complement to the emotional depth of the lyrics. From the soulful piano riffs to the pulsating rhythm section, each element contributes to the song's infectious energy and undeniable charm. The seamless harmonies between Price and the band members further elevate the emotional resonance of the track, drawing listeners into Lake Street Dive’s musical world. 

Despite the melancholic undertones of the lyrics, "Good Together" maintains an uplifting spirit throughout. The recurring motif of resilience and hope shines through, reminding listeners of the enduring power of love and connection. It's a testament to Lake Street Dive's artistry and good vibes that such woeful lyrics are made to be deliciously digestible. 

 

WHAT’S NEXT FOR LAKE STREET DIVE?

"Good Together" showcases Lake Street Dive's prowess as musicians and storytellers. With its infectious melodies, soulful vocals and poignant lyricism, the song is sure to resonate with listeners of all backgrounds. For a soul-stirring journey through the complexities of love and relationships, be sure to give Lake Street Dive's latest single a listen!

Plus, be on the lookout for more singles as the band gears up to release a new album — also titled Good Together — on June 21st. 

Every Monday, our music staff brings you a new Pick of The Week, detailing some of our favorite songs. Check out our previous Picks of the Week here, and make sure to tune in to WERS 88.9FM!

Graphic with a light purple background and multi-colored flowers in the corner, with white text overlayed that reads "Women and nonbinary producers"
Graphics by Sarah Tarlin

As a part of our celebration of Women’s History Month, we’re shining some light on some of the most underrepresented and undervalued people in music: women and nonbinary producers. From who we’re calling ‘the holy trinity of Sylvias’ (producing for the likes of Stevie Wonder, Johnny Cash and more) to musicians themselves like Laufey and St. Vincent, we’re excited to help give these talented producers the credit they deserve for shaping some of the most significant albums of all time. 

LAUFEY

“As a musician, my goal is to bring jazz and classical music to my generation through a more accessible road,” said Icelandic/Chinese musician Laufey. As a singer, composer, producer and multi-instrumentalist, Laufey does it all. She is an incredibly well-rounded musician whose impeccable lyricism and instrumental composition, get you either deeply in your feels, swooning, daydreaming—or all of the above. Laufey has a magical way with words that bewitches audiences as she skillfully accompanies them with fairytale-like instrumental arrangements. Her 2023 album Bewitched gained the singer international recognition as it placed her in the Top 30 Billboard 200 chart and won her a Grammy for Best Traditional Pop Album. With now 13.3 million listeners on Spotify alone, Laufey gained popularity for her enchanting jazz, classic and pop sound. The magic in her music lies in not just her sound but the relatability of her lyrics that create a deep-felt bond with her listener base. Right on time for Women’s History Month, Laufey released a single titled “Goddess” on March 6th!

- Isabella Kohn, Staff Writer

 

CAROLINE POLACHEK

Though Caroline Polachek has caught the eyes of the public through her eclectic release Desire, I Want To Turn Into You, she holds an extensive list of acclaimed artists she has co-produced with throughout the years. From Beyoncé, to Charli XCX, to Travis Scott, Polachek, being the unwavering virtuoso she is, writes, composes and produces for other artists, but tends to go unnoticed. Outside of making music with her seraphic voice, she’s assuredly a master with the pen and electronic composition. Even when she’s not crafting songs for herself, she expels a mystical aura that showcases her presence even when it’s not audibly explicit. Caroline Polachek, though appreciated for her zeal and vivacity in terms of her recent pop release, should also be known for her apt music production behind-the-scenes. 

- Ash Jones, Staff Writer

 

ANNIE CLARK

After establishing herself as a proficient touring musician, Annie Clark (aka St. Vincent) officially launched her career as a producer in 2001 with her debut EP Ratsliveonnoevilstar. In the years following that release, Clark was praised for her exceptional guitar playing and off-the-wall songwriting — frequently mashing together sounds of 80s new wave and futuristic alternative rock. Now, she has an acclaimed discography, consisting of seven studio albums with her eighth set to come out later this year. Much of Clark’s polished production is featured on her own records, with the exception of her recent work on Sleater-Kinney’s The Center Won’t Hold, a beautifully crafted album that spans genres and generations.

- Claire Dunham, Music Coordinator

 

LAURA SISK

Laura Sisk is one of the most up-and-coming women audio engineers to date. No genre remains untouched in her arsenal of production skills. Sisk has been a freelance audio engineer for the last thirteen years. Based out of New York and Los Angeles, Sisk has probably produced both your pop and indie-pop favorite hits. She has won two Grammys for her work on two of Taylor Swift’s albums — 1989 and folklore — and earned her other two nominations for her amazing sound production on Lana Del Ray’s Norman F*cking Rockwell. Her other notable highlights include work with Fall Out Boy, Portugal. The Man, Diana Ross, Lorde and Troye Sivan.

- Ren Gibson, Staff Writer

 

SYLVIA ROBINSON

There’s a reason why she’s called “The Mother of Hip-Hop,” but her matriarchal title often gets overshadowed by her own descendants. Sylvia Robinson, born and raised in Harlem, was a co-founder of Sugarhill Records. Pioneering rap charters such as “Rapper’s Delight” and “The Message” were produced by Robinson at Sugarhill Records which primarily served as an epicenter for Black artists in the New York Metropolitan area. These songs crafted a new genesis for African-American music, and hip-hop began making waves across the country. Not only was she a skilled producer, but her voice rang loud inside the booth as well. She started recording music for Columbia Records at the age of 15 under the stage name “Little Sylvia,” proving her tenacious strides even when she was a young girl. Singing soul and R&B melodies throughout the ’50s and ’60s, Robinson even hit the Billboard pop charts a couple of times during her heyday. With a rich career that never seemed to halt, Sylvia Robinson has stamped her foot into music history. She has produced songs that laid the groundwork for catchy, breakbeat tunes that have become extremely popularized today. Know the name of Sylvia Robinson, for she was unequivocally a steadfast creative that changed the game forever. 

- Ash Jones, Staff Writer

 

SYLVIA MOY

Most people have probably heard of Stevie Wonder, but you very well may not have if it wasn’t for Sylvia Moy. Originally signed to Motown on recording and songwriting contracts, Moy went on to become the first woman to produce and write for the label. Berry Gordy, the head of the label, planned to drop Stevie Wonder after he hit puberty and his voice began to change, but Moy intervened and asked if Gordy would consider if she wrote a hit for wonder. And write a hit for him she did; two years after she was signed, she wrote “Uptight (Everything's Alright),” and sang the lyrics one line ahead to Wonder while he recorded. The song would go on to hit #1 on the Billboard R&B chart, and #3 on the Hot 100.

It’s hard to find an exact number, but Moy’s credits range somewhere in the hundreds, if not the thousands. She’d go on to produce for the likes of The Isley Brothers, Marvin Gaye and Kim Weston (Gaye and Weston’s hit 1966 single, “It Takes Two,” a personal favorite of mine),  Martha & the Vandellas, and Michael Jackson. Later in life, she founded the Detroit-based Masterpiece Sound Studio, and set up a non-profit, Center for Creative Communications, for underprivileged children in Detroit.

- Eden Unger, Staff Writer

 

SYLVIA MASSY

Other than their acclaim in the rock and roll community, Prince, Johnny Cash, Tool, Red Hot Chilli Peppers and System of a Down do not seem to have much in common. However, the artists do share one major experience: they all worked with the amazing Sylvia Massy. Responsible for over 25 gold and platinum records, Massy is an incredible producer, engineer and mixer. Famous for her knowledge of recording technology and her ability to create innovative sounds, Massy shared her expertise with the public by releasing her book Recording Unhinged: Creative and Unconventional Music Recording Techniques. As a female musician and rock and roll fanatic, I was thrilled to learn about the woman who played a key role in creating several albums I love. This Women’s History Month, remember Sylvia Massy, the woman responsible for so many headbanging hits. 

- Annie Sarlin, Staff Writer

 

TOKIMONSTA

TOKiMONSTA  is a powerhouse in dance music, having produced for her own critically acclaimed body of work and for other artists, including Anderson .Paak, Gavin Turek and EARTHGANG; she is also the producer behind many official remixes for artists such as Duran Duran, David Bowie and Sia. While she would eventually be nominated for a Grammy Award for Best Dance/Electronic Album in 2019, Jennifer Lee had humble beginnings as a freelance musician and DJ. Her 2010 release Midnight Menu brought about her first praises, and her popularity and artistry have continued to grow from there. TOKiMONSTA doesn’t hide the mechanical aspect of electronic music and enjoys highlighting the artificial tone that comes with its technology base. Her unique style has landed her a tour with the duo ODESZA and multiple gigs at Coachella and SXSW. 

- Sofia Giarrusso, Staff Writer

 

CATHERINE MARKS

At this year’s Grammys, Catherine Marks came close to a groundbreaking win — if boygenius had taken home “Album of the Year,” Marks, who produced all twelve of The Record’s tracks alongside the supergroup, would have been the first female producer to win in the category. But Marks doesn’t need a trophy to be considered monumental. Other than boygenius, she has produced for Manchester Orchestra, Wolf Alice, Alanis Morissette and Foals. And along the way, she has inspired countless. While the number of women producers is estimated to be around 3.4% today, the numbers were even smaller when Marks first moved to London to start an audio engineering and producing mentorship in 2005. “When I started, I was the only one. So I wonder if it was a case of ‘You can’t be what you can’t see,’ ” she told the Hollywood Reporter, expressing her hopes that the success of her career will tell more girls and women they have a place in the industry, too. 

- Nora Onanian, Web Services Coordinator

 

EMILY LAZAR

When looking at the long list of artists Emily Lazar has engineered or produced for, it seems unreal that a single person could work with so many well-known artists, and in such a wide range of genres. But it simply speaks volumes about just how talented Lazar is, and how well-respected she is within the music industry. From more historical artists like the Velvet underground, David Bowie and the Beatles, to artists still releasing music today and as polarized as Foo Fighters and Beyonce, Lazar has truly done it all. It’s estimated that she has worked on over 3,000 albums. It also can’t go unmentioned that she was the first female mastering engineer to win the Grammy for best engineer, non-classical for her work on Colors by Beck. A behind the scenes contributor on so many of the albums we love, Lazar is one final reminder, on this list of talented women and nonbinary people, that producers names deserve to be circulated and remembered for long.

- Nora Onanian, Web Services Coordinator

A graphic of a calendar with a blue background. The dates at the top read 3/8 to 3/15. The center reads "Uncommon Concert Calendar: Cherry Glazerr, Waterparks, Dropkick Murphys
Graphics by Sarah Tarlin

Here at ‘ERS, we love live music! That’s why we created the Uncommon Concert Calendar — your guide to the best concerts in Boston. Each week, our intrepid music staff picks out some upcoming concerts you won’t want to miss. 

 

COPILOT AND MIKI FIKI @ BRIGHTON MUSIC HALL

7:00pm, Saturday, March 9th with Miki Fiki and itsjustrand

Local band Copilot came into Studio 889 last month for Wicked Local Wednesday and absolutely rocked our (official WERS merch) socks off! Now, get ready for them to do the same to you as they play songs from their third full-length album like “Emily,” a mellow track about a waitress, or the dancier “Bang Bang Boogie.” Copilot truly reminds us of what makes Boston bands so great — not only are they talented musicians, they are lovely human beings, too. Catch them at Brighton Music Hall this Saturday. And if you’re lucky, maybe they’ll even bring their mascot on stage, a tiny stuffed pig who rested on the keys in our live studio. 

- Nora Onanian, Web Services Coordinator

 

KID BLOOM @ BRIGHTON MUSIC HALL

7:00pm, Sunday, March 10th with RMR

Established in 2016, Los Angeles-based indie musician Kid Bloom doesn’t shy away from ‘80s inspiration with his synth sounds and poppy instrumentation. He has worked closely with Jesse Rutherford (The Neighbourhood) and other artists like H.E.R. and Maroon 5. Kid Bloom has an innate ability to produce tracks that are danceable, yet dreamy and sentimental — take “Electric U” and “I Kissed A Girl, And She Kissed Me” as an example. His recently released EP, Inner Light Phase 1, leans more into psychedelic themes and is sure to keep your head bopping. 

- Sofia Giarrusso, Staff Writer

 

ADAM EZRA GROUP @ COMMUNITY CHURCH OF BOSTON (OR FREE TO STREAM!)

4:30pm, Sunday, March 10th with Dean Stevens

If you’re keen on concerts in unconventional locations, this Adam Ezra Group show at the Community Church of Boston certainly might be your jam! The concert is affectionately titled “Get Folked.” If that language doesn’t seem to you like something that a church would associate with, you’re not alone. But, components like the group’s stunning vocals, rustic folk sound and metaphor-filled writing do seem to fit the occasion of performing in such a sacred space. Can’t make it out to the Back Bay area? The concert is also free to stream, so let Adam Ezra Group’s beautiful sounds fill whatever space you’re in this Sunday. 

- Nora Onanian, Web Services Coordinator

 

CHERRY GLAZERR @ THE SINCLAIR

8:00pm, Wednesday, March 13th with Ex Pilots 

Get your alternative indie rock pants on and head to The Sinclair to catch Cherry Glazerr on Wednesday, March 13th. This three-person Los Angeles based group features Clementine Creevy on guitar and vocals, Tabor Allen on the drums and Sami Peres on bass. They have played together since 2013 and consistently push the boundaries of what their music is, and what their sound can be. Their most recent and raw album, “I Don’t Want You Anymore” was released this past September so listeners can lock in for a fun night featuring fan favorites and some new hits.

- Caitlin Molloy, Staff Writer

 

WATERPARKS @ MGM MUSIC HALL 

7:00pm, Wednesday, March 13th with Loveless and Sophie Powers

A night of live music with this Houston-formed rock band will feel as fun as spending a day at the waterpark when you were a kid (get it?). Since their debut album in 2016, Waterparks has released a steady stream of albums and EPS. Their fifth album, Intellectual Property, came out in April of 2023. Along the way, they have gained quite a bit of touring experience, and surely know how to put on a good show. Catch them at MGM Music Hall Wednesday night and leave “brainwashed” by their encapsulating sound.

- Nora Onanian, Web Services Coordinator

 

MASON RAMSEY @ BRIGHTON MUSIC HALL

7:00pm, Wednesday, March 13th with Halle Kearns

At just 11-years-old, a young Mason Ramsey was launched into stardom after his rendition of Hank Williams’ “Lovesick Blues” went viral. Known affectionately as the “Walmart Kid,” Ramsey’s bright voice and squeaky yodels took the world by storm. Now, nearly five years later, the prodigy is embarking on a headlining tour. This is the perfect show for fans of country music and viral video enthusiasts!

- Claire Dunham, Music Coordinator

 

DROPKICK MURPHYS @ HOUSE OF BLUES & MGM MUSIC HALL

6:00 PM, Thursday-Sunday, March 14-17th with Pennywise

Boston natives and perennial favorites Dropkick Murphys are returning for their annual St. Patty’s Day performances, which will take place this year at Fenway MGM. To kick it off they’ll be playing House of Blues on the 14th. In addition to their evening shows, they’ll be performing a “mini-concert” in support of their charity, The Claddagh Fund, at 2 pm on the 16th. Dropkick Murphys’ particular blend of celtic punk is as infectious as it is brash, and while they’ll be back next year, you’d do well to ship up to Boston for at least one show!

- Eden Unger, Staff Writer

By Kathia Dawson, Urban Coordinator

Missy “Misdemeanor” Elliott, a name synonymous with innovation, creativity, and a genre-defying approach to music, found her passion for performance at an early age. Her passion set the stage for a groundbreaking career that continues to  redefine the landscape of Hip-Hop and R&B.

From Sista to Supa Dupa Fly

Melissa Arnette Elliott, aka Missy Elliott was born on July, 1971  in Portsmouth, Virginia. After a traumatic childhood she formed a girl group, called Sista with Fayze and Timbaland (Tim Mosley). In 1991, Devante Swing of the band Jodeci signed Elliott’s group to his Swing Mob Records label, marking her entry into the music industry. However, the group’s first album never materialized due to financial constraints, leading the group to dissolve. Undeterred, Missy Elliott joined forces with childhood friend Timbaland, forming a dynamic duo that would shape the future of music. 

Elliott and Timbaland co-wrote and co-produced songs for Jodecci and Aaliyah. At 25, Elliott secured a deal with Elektra Entertainment, allowing her to write, produce, and record music under her own Gold Mind Record label. The debut album, “Super Dupa Fly” (1997), went platinum, earning Elliott her first Grammy nomination, and brought her Rolling Stone’s Rap Artist of the year designation. 

Elliot’s follow-up album, Da Real World (1999) spent almost a year on the Billboard Rhythm-and Blues chart. This album featured Alyiah, Eminem, and Beyonce.  She went platinum again, with Miss E… so addictive (2001) featuring the Grammy-winning dance track, “Get Ur Freak On.” Elliot won another Grammy for “Work It,” a single from her 2002 album Under Construction.  Her fifth studio album This is Not a Test! (2003) featured cameos notables that included Jay-Z, Nelly and Mary J Blige. 

In addition to her four Grammys she collected the Black Entertainment Television (BET) award for Best Female Hip-Hop artists multiple times, and her Hype Williams collaborated music videos were and are a regular feature on MTV. 

Her ascent to stardom was unparalleled. In an era dominated by rap artists using samples, such as Diddy drawing from 70s and 80s R&B songs, Missy Elliott embraced the trend but took it a step further. She incorporated diverse sounds, from babies crying to rain sounds—capturing the essence of everyday life. The opening sequence of her debut album featured a remarkable four-song run, starting with its Busta Rhymes intro, followed by “Sock It 2 Me,” “Beep Me 911,” and “Supa Dupa Fly.” Missy showcased her ability to seamlessly blend singing and rapping, marking a truly incredible introduction to her musical prowess.

In the late ’90s and early 2000s, Elliott’s futuristic music videos, such as “The Rain,” featuring an iconic inflatable leather suit, and “Sock It 2 Me,” a computer generated 3D space suit. These videos not only set her apart but also left an indelible mark on culture and fashion, not to mention body acceptance for plus-sized Black women.

Influence and Collaborations: Paving the Way for Others

Beyond her solo success, Missy Elliott contributed significantly to the music industry by curating and writing for other artists. She ended the 90s with two writing/producing credits on
Whitney Houston’s My Love is Your Love album, and appeared on Spice Girl Mel B’s solo single “I Want You Back.”  

Elliott’s reintroduction of dancing in Hip-Hop videos like  “Work It” and “She’s a Bitch,” inspired artists like Megan Thee Stallion and Latto to bring choreography back to rap.

Spotlight Tracks: A Musical Odyssey

Missy Elliott’s discography boasts numerous anthems. “Get Ur Freak On,” with its unique Punjab world music sound, and “Work It,” featuring a ferocious beat and signature lyrical reversal, are just a glimpse into her sonic prowess.

Honors and Legacy: A Legend in the Making

In November, Missy Elliott made history by becoming the first female rapper to be inducted into the Rock and Roll Hall of Fame. Queen Latifah acknowledged her as one of the greatest producers ever, highlighting her classic hits for stars like Beyoncé and Janet Jackson. MTV honored her with the Michael Jackson Video Vanguard Award.  Missy Elliott’s impact and  influence transcends generations. Today’s artists, such as Flo Milli and Bree Runway, continue to draw inspiration from her groundbreaking work.

Legacy of Empowerment: Mentorship and Support

Missy Elliott’s legacy extends beyond music; she is a mentor and supporter of fellow female artists. Her mentorship has inspired, uplifted and paved the way for Black women artists like Chlöe, Eve, and Lil’ Kim.  Elliott stands tall as a multigenerational legend, a visionary who not only shaped the sound of an era, but also empowered a diverse array of voices to be heard.

Spotlight tracks

Sock it 2 me ft. Da Brat(1997) 

“Sock It 2 Me,” a standout track in Missy Elliott’s illustrious career for its ability to push boundaries in the Hip-Hop genre, is a collaborative masterpiece featuring Da Brat. Released as part of her debut studio album, “Supa Dupa Fly” in 1997, the song quickly became a fan favorite and won awards in the late ’90s. The synergy between Missy Elliott’s innovative production and Da Brat’s dynamic presence resulted in a Hip-Hop gem that seamlessly blends creativity and attitude.

“Beep me 911” (1997)

The track “Beep Me 911” unveils a rich foundation of funk-laced R&B. Fronted by the charismatic and velvet-smooth runs of 702, the song is a testament to Missy’s diverse musical approach, blending genres with finesse.

Missy Elliott’s lyricism takes center stage, embodying a playful yet lofty quality. The song becomes a canvas for her to assert both her sensuality and the unwavering demand to be heard. “Beep Me 911” defies expectations by subtly delivering messages about desire without resorting to hypersexuality.

Work It (2002)  

Collaborating with Timbaland, the hit song “Work It” is a great beat and an honorable head-nod to Hip-Hop dance of the past. It has a signature lyric reversal as well as the sound of a needle scratching on vinyl. A memorable empowering lyric from Elliott’s track: “Ain’t no shame, ladies, do your thing—just make sure you’re ahead of the game.”

Get Ur Freak On (2009)  

“Get Ur Freak On” is infused with rhythmic elements from the Punjab region of South Asia making it one of the most recognizable Hip-Hop songs of the early 2000s. Missy Elliott’s innovative approach extends to the accompanying music video. In the video, Missy Elliott effortlessly moves her shoulders to the beat as she walks through, adding a dynamic and captivating element to the overall presentation.

Legacy

Missy Elliott, a multigenerational legend in music, has left an indelible mark on the industry. She transcends eras where explicit content was dominated by men, stood out as a quirky, futuristic feminist, and provided a platform for female rappers to exist. Her influence echoes in the work of contemporary artists who have sampled her iconic tracks. Smino’s “No-L’s” and Brent Faiyaz’s “Last One Left” feature elements from her song “Knock Knock,” showcasing the enduring appeal of Missy’s innovative sound.

Collaborations with emerging artists like Bree Runway, who paid homage to Missy on ‘APESH*T’ before collaborating on ‘ATM,’ highlighted her continued impact. Similarly, BIA’s “I’M THAT B*TCH” draws inspiration from Missy’s classic “She’s a B*tch,” a testament to the enduring relevance of her work.

Missy has paved the way for expressive Black women across genres including videos, holding the elevator for successors and peers alike.  Elliott has worked behind the scenes, contributing to the success of industry giants like MC Lyte, Timbaland, and Mariah Carey. 

Her career stands as a testament to her versatility, seamlessly navigating both the front and back of the house. From her first album diverged from the stuff beats and rhymes template of the time to her 21th century dives into R&B and dance music, Missy Elliott’s ever expanding futuristic surrealist sonic masterpieces will continue to mesmerize us earthlings for generations to come.

Photography by Campbell Parish

By Avieana Rivera, Staff Writer

Artist: Cold War Kids

Venue: House of Blues

When: Thursday, February 28th

 

A crowd of all ages filled the House of Blues on Wednesday night for Cold War Kids’ 20 Years Tour. The room was packed from barricade to bar, everyone anxiously waiting to rock out with Nathan Willett. Joined by Bandmates Matt Maust, David Quon, Matthew Schwartz, and Joe Plummer, these rock stars came all the way from Long Beach, California to bring down the House of Blues here in Boston for one night, and one night only. 

 

OPENING ACT: JOE P CONNECTS WITH THE CROWD

Joe P came onto the stage in a flash. Before the lights came on, he leaned into the microphone and whispered, “Ready?” The crowd surely was not prepared for what this band had in store. In an instant, the lights came on and the band began to rock out. The group of musicians consisted of Joe P, drummer Santo Rizzolo and bassist Tony Yebra. There was not a single person in the room who wasn’t dancing as they took the stage. Joe and Tony’s skilful guitar riffs mixed with powerful drums made for a sound that took over the room. They seamlessly glided through the setlist, fading one song into the next. The brief pauses in between songs were filled with a screaming crowd, begging for more.

Joe P brought true headbangers, with the heart of their songs lying in the mesmerizing beat of the drums. Santo’s dynamic performance mixed with the high energy of the rest of the band brought a contagious spirit to the House of Blues, and every person in the audience definitely caught a case of it. Joe P danced around the stage for about 40 minutes, playing a new song called “Shadow in the Sun” that was released this Friday. Towards the end of his set, Fans were delighted by the lyric change in his song “Off My Mind,” where he sang “You heard that Boston has the cure.” Joe P’s performance ended with a bang. Each of the band members riffed on their instruments until they physically couldn’t anymore. Joe P took off his guitar and collapsed on the stage, taking in the roars of applause until the lights went out. 

 

INSANELY GOOD VOCALS, INSANELY GOOD VIBES 

After that impressive opener, fans were bursting at the seams with anticipation for Cold War Kids to grace the stage. The stage was adorned with the same skeleton picture that serves as an album cover for their 2008 record Loyalty to Loyalty. When the band finally did come on stage, they did not disappoint. Rainbows of light cascaded over the stage as they jumped into “You Already Know,” a song from their 2020 album New Age Norms 2. Willett’s Vocals were impressively powerful, and shined above the intensity of the music. They wasted no time between songs, but with 20 years of music to get through in one night, I can't say I blame them. The next song took it back a decade, with their 2013 hit “Miracle Mile.” By their third song, “So Tied Up,” the show quickly turned into the biggest dance party I have ever been to. Fans were jumping, dancing, head banging and so much more. There was a group of people behind me up on the balcony who weren't even watching the band perform, and were solely concerned with the sound. They turned the balcony into their own stage and danced the whole night away. The vibes were incredible, and Nathan Willett agreed. He went on to add that the band has “played some really fun shows in this room,” and teased bandmate Matthew Maust for his short lived time at Berklee College of Music here in Boston, but maintained that it was for the best. From then on it was clear: Cold War Kids is a band that knows how to have a good time. 

 

COLD WAR KIDS CELEBRATES 20 YEARS OF MUSIC 

The group played songs from albums new and old, including “Run Away With Me,” “Heaven In Your Hands,” “Mexican Dogs” and “Restless.” Every song seemed to be a crowd favorite, with excitement and high energy all-around.

Cold War Kids was celebrating its 20th anniversary, and for a band as old as I am, they have not lost their sound. The band has so much natural chemistry, and all of their songs sounded authentic to the musicians themselves. Through two decades, this band has managed to stay true to their rock and roll roots, something that I think is commendable in a world of rising pop stars. Despite that, the band was still incredibly versatile. The band members were all constantly picking up new instruments, and just somehow kept getting better and better. 

Towards the end of the show, Willett took a moment to reflect on the wild ride that has been Cold War Kids, thanking the audience for their support, whether they’ve been around for 20 years or two. The band was very connected to the crowd, constantly reaching out towards them and pointing at audience members during their performance. At the start of “Heaven In Your Hands,” a song that was recently released at the start of their tour, Willett even took a moment to remind fans to keep going, and that there will always be a light at the end of the tunnel. Ironically, the last song of the evening was their 2014 hit “First.” 

Cold War Kids brought with them a walk down memory lane for lots of audience members. But whether this was your very first show, or you’ve seen them on every tour since they debuted in 2004, Cold War Kids is happy to have you and ready to show you a great time, as well as some even better music.

Graphic with a purple background and multi-colored flowers in the corner, with white text overlayed that reads "Women's History Month"
Graphics by Sarah Tarlin

HAPPY WOMEN'S HISTORY MONTH!

WERS has many exciting things in store to commemorate this special month…

On International Women's Day, our playlist was entirely Women! 

Coming the weekend of March 29th, join us for 75 Songs of Women’s Empowerment, picked by YOU! Across 75 years of WERS, we’re proud that many of our favorite artists have songs that uplift women and non-binary people. So, during Women’s History Month and our 75th Birthday Year, we want you to weigh in on which songs resonate with you as women’s empowerment. Be sure to let us know using the form below! 

Plus! Read on for some of our favorite articles and interviews with women musicians over the last year, and make sure you listen to 88.9 on March 8th for International Women's Day!

75 Songs of Women’s Empowerment: Tell Us Your Favorites!

Sign me up for the Uncommon Newsletter!
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THIS YEAR, WE LOVED CHATTING WITH WOMEN AND NONBINARY MUSICIANS…

SOME OF OUR FAVORITE ALBUMS OF 2023 CAME FROM THEM…

(DID YOU NOTICE THAT 7 OUT OF 8 GRAMMYS RECORD OF THE YEAR NOMINEES WERE NON-MEN THIS YEAR?!)

Album Review: Mitski - The Land is Inhospitable And So Are We
Album Review: The Japanese House - "In The End It Always Does"

Album Review: Boygenius "The Record"

Album Review: Boygenius "The Record"
Album Review: Arlo Parks "My Soft Machine"
Album Review: Lana Del Rey "Did You Know That There’s A Tunnel Under Ocean Blvd."

THEY ABSOLUTELY ROCKED THE STAGE...

 

THEY PUT ON SOME AMAZING LIVE SESSIONS...

LISTEN TO OUR INTERNATIONAL WOMEN'S DAY PLAYLIST - LIVE FROM WERS

Over the years, we've welcomed some amazing people to play live at WERS. Check out our favorites in this playlist!

AND TOO MANY SINGLES TO COUNT.

Interested in more blog content? Check out last year's International Women's Day roundup here!

Photography by Annalin Schell

By Madison Ruiz, Staff Writer

Artist: Two Door Cinema Club

Venue: Roadrunner

When: Wednesday, February 27th

 

A TUESDAY NIGHT WITH JOYWAVE AND TWO DOOR CINEMA CLUB 

Tuesday night, fans of all ages and backgrounds united at Roadrunner in their shared love for Two Door Cinema Club's music. Despite it being a Tuesday night, the energy at the concert was nothing short of electrifying. From the moment the doors opened, there was an undeniable sense of excitement in the air, and it was clear that each fan at the Roadrunner was ready to sing along and dance to their favorite songs instead of dreading the impending day of work or school. Everyone in attendance was eager to shake off the weekday blues and immerse themselves in the music. 

 

JOYWAVE IGNITES THE CROWD

The American indie-rock band Joywave was the opener for Tuesday night's show. The band consists of Daniel Armbruster on lead vocals, Joseph Morinelli on guitar, and Paul Brenner on drums. It was evident that Joywave is a very well-loved band as the arena was already filled before the band even started their set. From the moment Joywave stepped into the spotlight, it was as though a switch had been flipped, instantly igniting the crowd's excitement. Everyone in attendance knew that they were in for a great show and a great night. The band played about seven songs including their most listened to hits such as “Obsession,” “Tongues” and “It's a Trip!.” 

Halfway through their set, vocalist Daniel Armbuster paused during the concert to say, "If there's one Joywave song you have heard, it is this one." With those words, the atmosphere buzzed with excitement and soon the band's iconic song, “Dangerous,” played. It felt like a collective surge of recognition washed over the entire venue. Every person seemed to have a moment of connection with the track. It was one of those rare moments in a concert where the entire audience becomes unified in their shared love for a song. 

As the band's set was coming to an end, Daniel Armbuster again stopped to chat with the audience for a moment and share two important messages. The first was that Joywave will be returning to Boston in October and they will have a new record out! If you're interested in going, tickets will be going on sale in late March. Next, Armbuster informed the audience that Two Door Cinema Club’s drummer, Cameron Spence’s birthday was that night. Then, he made the sweetest request, asking if the audience would sing Spence happy birthday when he came out to play. 

As their set was coming to an end, Joywave played their new song, “Brain Damage,” which was nothing short of amazing. 

 

TWO DOOR CINEMA CLUB TAKES THE STAGE

At this point, the crowd was already primed and ready for the main event. About 30 minutes after Joywaves set, at about 9:15 p.m., the stage lights shut off. That's when the crowd knew Two Door Cinema Club was about to come out. The arena instantly filled with cheering and good energy was still very much radiating throughout the arena. 

Alex Trimble (lead vocalist), Sam Halliday (lead guitarist) and Kevin Baird (bass guitarist), then walked on stage and started off with their song “Sure Enough.” The powerful and uplifting anthem was a great way to start off. The cool thing about Two Door Cinema Club’s music is that the band is able to move seamlessly from one song to the next, creating a cohesive and uninterrupted experience for the audience. 

After about three songs in, the band took a pause to talk to the crowd. During this time, the crowd took advantage to begin singing happy birthday to Cameron Spence just as Armbuster had requested. It was a very sweet moment that made them feel the intense love that Boston had for them. We also found out that it was Spence’s first time in Boston so the crowd was sure to make this a memorable night for Spence and the rest of the band, and that's exactly what they did. 

 

STANDOUTS FROM THE SETLIST AND SOCIAL-MEDIA TRACTION

Some songs played over the course of the set were “I Can Talk,” “Sleep Alone,” “Something Good Can Work,” “Wonderful Life,” “Costume Party” and “Satellite.” Each song's sound was vibrant, dynamic, and irresistibly catchy. They saw Two Door Cinema Club blend indie-rock sensibilities with electronic elements. Some of the most noteworthy songs played that night, and some of my most favorites from the band were (of course) “Undercover Martyn,” “Sun” and “What You Know” which is the song the band ended the wonderful night with. It was evident that these iconic hits from Two Door Cinema Club held a special place in the hearts of fans, old and new alike. 

Part of what made the moment so unique during a few of these beloved tracks was the realization that they had found a resurgence in popularity thanks to their viral success on TikTok. I have been a fan of Two Door Cinema Club since middle school, and so I realized how truly remarkable it is when some of your long-time favorites make their way to social media and gain more popularity. It was almost as if everyone in the crowd that night was singing along to these songs because of how popularized they have become. It makes sense that these songs went viral because they are truly some of the best melodies I have ever heard and they deserve the hype. If anything, I'm glad that these songs I listened to as a kid are still being heard and loved. 

 

FEELINGS OF NOSTALGIA DURING AND AFTER THE BLISSFUL SHOW

If it wasn't already clear, I would definitely call myself a fan of Two Door Cinema Club, so it was a very special experience to be in attendance at their show Tuesday night. This concert was particularly special because it brought up so many feelings of nostalgia. When I was in middle school, songs from Two Door Cinema Club were on repeat in my headphones. To hear some of what I considered to be my favorite songs back when I was in middle school live was such a wonderful experience. I was transported back to a time when their music was the soundtrack to my most memorable moments. It made me remember how much I love their music and why I put their songs on my playlist in the first place. I can definitely tell you that some more of their songs were added to my playlist that night as well. 

Whether you were a longtime fan or someone experiencing Two Door Cinema Club for the first time, the concert had something for everyone. As we exited the venue, it was evident that the night had left a lasting impression. Fans of Two Door Cinema Club reflected on the exhilarating performance and the shared moments of fun and musical bliss. If feelings of nostalgia weren't already felt at the show, they will surely pursue the unforgettable night of immersing ourselves in Joywave and Two Door Cinema Club's music.

Graphics of a collage made of cut-out paper are formed into three flowers and letters spelling "Spinning." There are scissors and the word "Wishy" is below "Spinning." In the top left corner is a guitar pick that says WERS 88.9 FM Pick of the Week
Graphics by Kaileigh Clark

By Ash Jones, Staff Writer

The star-studded soundscapes of dream-pop, thought to be left in the nineties, are now reimagined with their own lineup of new-age figureheads that still love their reverberating pedalboards.

 

DIVING INTO THE SOUND OF “SPINNING”

Wishy, a band that emerged from Indiana, is etching outside of the dream-pop model. On their new EP, Paradise, they provide a stack of songs that serve as lush iterations of fervency. Primary songwriters of the crew Nina Pitchkites and Kevin Krauter set the EP ablaze with a euphonious sound that comingles calamity with the sublime. The third track, “Spinning” has a pristine voice that trudges through the fuzz of the brazen guitars and brigade of drums.

Midwestern artists will make music adorned with dollops of grime like it’s innate. Paying homage to their picturesque, old-agrarian landscape, Wishy opens the curtains and lets the light shine in on their blemished surface. They’re celestial and airy, though marked with intentional blots that make their music all the more human. “Spinning” is chorded with bright guitar strums, crooned over by Pitchkites who strikes the melody with a dulcet, cool-girl edge.

The story that follows “Spinning” is like the inner dialogue of a teenage girl with unceasing reveries. We’re brought into the subject’s hazy world in which the lyrics reflect, wondering what or who are they so anxiety-ridden about? Pitchkites opens with glum ponderance, “I’m starting to feel like it’s not just me anymore.” As the song catapults into the chorus, the subject thinks back on a more whimsy, free-spirited moment of youth: “Spinning around on the kitchen floor. I didn’t think I could dance anymore.” Whoever is engraved in their mind will be caked into nostalgic, though lovelorn memories that’ll last a lifetime. At its core, dream-pop is a genre that emphasizes the seraphic essence of melancholia. On “Spinning,” and other Wishy songs, we get a twist to this. Though desolation is a focal point, the melody glimmers with an upbeatness that takes the bitter with the sweet. 

 

WHERE TO CATCH WISHY

Breaking out of their basement studio and stretching beyond the bounds of classic ’90s dream-pop, Wishy is starting to erupt on the scene. After a myriad of 2023 releases, the band is touring primarily on the East Coast this summer, but finishing off at their home arena in Indiana. Look out for Wishy as they continue to tear open possibilities and sear their unique flair into the ears of many. 

 

Every Monday, our music staff brings you a new Pick of The Week, detailing some of our favorite songs. Check out our previous Picks of the Week here, and make sure to tune in to WERS 88.9FM!

Graphic of a calendar that reads: "Uncommon Concert Calendar: March 1-8: The Beaches, Porno for Pyros, The Kooks, Hurray for the Riff Raff and more"
Graphics by Sarah Tarlin

Here at ‘ERS, we love live music! That’s why we created the Uncommon Concert Calendar — your guide to the best concerts in Boston. Each week, our intrepid music staff picks out some upcoming concerts you won’t want to miss. 

 

THIS IS THE KIT @ ARTS AT THE ARMORY CAFE 

7:00pm, Saturday, March 2nd 

If British alternative folk and indie music is your cup of tea, then better mark your calendars for Saturday, March 2nd because This is the Kit is making their way to the Armory Cafe! The head of the band, Kate Stables, consistently brings a unique and charming sound to their music with her instrumental and lyrical talents. The most recent release, a single titled “Sensations in the Dark,” was released earlier this February and features a more experimental feel. Fans and friends alike can expect a chill but fun show this weekend with This is the Kit in Somerville Massachusetts.  

- Caitlin Molloy, Staff Writer

 

PORNO FOR PYROS @ HOUSE OF BLUES

8:00pm, Tuesday, March 5th with Tigercub

Don't miss out on the opportunity to see Porno for Pyros for the final time on their farewell tour, Horns, Thorns En Halos! The alternative band, primarily made up of Jane’s Addiction members, has been rocking out since the release of their self-titled 1993 album. They have recently reunited to officially close out their 30-year run. With two albums under their belt, the band has gained a cult-like status among fans of music similar to Red Hot Chili Peppers, Butthole Surfers and Blind Melon. The group just released a roaring single, titled “Little Me,” with plans to release a full EP this year. Porno for Pyros is sure to put on a show with their dynamic choruses, booming instrumentals and untamed musicality. 

- Sofia Giarrusso, Staff Writer

 

HURRAY FOR THE RIFF RAFF @ THE SINCLAIR

8:00pm, Wednesday, March 6th NNAMDÏ

At 36, Alynda Segarra of Hurray For the Riff Raff has lived more life than most have in twice as many years. After 2022’s electronic Life On Earth — which was a rebellion against Segarra’s previous folk work — comes The Past Is Still Alive (TPISA). TPISA is folky, but far from a return to form. Rather, it is Segarra’s turn to tell their story; reflective and speculative, mournful and celebratory. If it sounds contradictory then it speaks to the project's complexity. Hurray For the Riff Raff will be joined by an equally complex special guest: NNAMDÏ, the founder of the Sooper Records label whose music straddles pop, hip-hop and math rock. The two will take the stage at the Sinclair in Cambridge, and it’s sure to be a great show, so you’ll need a pretty good “Alibi” for missing it.

- Eden Unger, Staff Writer

 

TANK AND THE BANGAS @ CITY WINERY, BOSTON 

7:30pm, Wednesday, March 6th

New Orleans-based R&B sensation Tank and the Bangas are truly one of a kind. They create a formidable and explosive sound as they mix soul, reggae and rock tunes. When listening to their songs you can feel the excitement and adrenaline pumping— their music is made for the stage and certainly reaching worldwide audiences. With their 2017 win in NPR’s Tiny Desk contest, the band rose in popularity and by 2019 got nominated for the 2020 Grammy Awards for Best New Artist. If you are down for a night filled with raging passion, join Tank and the Bangas on Wednesday for a performance at Boston’s City Winery!

- Isabella Kohn, Staff Writer

 

GLITTERER @ CRYSTAL BALLROOM

8:00pm, Thursday, March 7th with Glixen and Gollylagging

This DC band is coming up to Boston this Thursday for a night of fun and rocking out with your two other favorite G-letter bands! Glitterer is touring their newest album, Rationale— an interesting amalgamation of the band growing from a single man and his computer to four talented musicians, scouted out across the DC area. Rationale is lyrical, alternative, and yet remains true to Glitterer’s authentic sound. Joining them will be Glixen, who brings a similar sound, with heavy guitars and stylish melodies. The band has been making music since 2020, and is sure to shine at the Crystal Ballroom in Somerville. If those two bands don’t knock your socks off, local band Gollylagging will certainly do the trick. Known for their dynamic punk sound, their raw passion is sure to light up the room and make for a super awesome show. 

- Avieana Rivera, Staff Writer

 

THE KOOKS @ MGM MUSIC HALL, FENWAY

7:45pm, Friday, March 8th with The Vaccines and Daisy the Great 

As part of their Inside In/Inside Out tour, English band the Kooks will take the stage in Boston on March 8th. Fans of bands like the Fratellis, the Kaiser Chiefs, the Strokes, Arctic Monkeys and the Libertines will love this show. The band’s music typically features an upbeat rock feel with fun guitar riffs. It will be difficult for the audience of this show not to dance as they hear favorites like “Junk of the Heart” and “She Moves In Her Own Way.”

As if the talent of the headliner were not enough, this show features two incredible openers: The Vaccines and Daisy the Great. Those who love the headliner are sure to find a new favorite band with the Vaccines. Another UK band, the group's discography ranges from catchy pop-rock to a dreamy, almost hypnotic sound that can be heard in their newest album, Pick-Up Full of Pink Carnations.

I am particularly excited about the third group set performing because they happen to be one of my all time favorite bands. Vocalists of indie pop band Daisy the Great, Kelley Nicole Dugan and Mina Walker, perform all of their songs in beautiful, multi-part harmonies. As if their remarkable singing was not enough, they are witty lyricists, multi-talented instrumentalists, and entertaining performers. I have been lucky enough to see them live multiple times and am so excited to see them take the stage with these two other talented groups. 

Don’t be “Naive” and miss your chance to see these three amazing bands at MGM Music Hall at Fenway on March 8th! 

- Annie Sarlin, Staff Writer

 

THE BEACHES @ THE ROYALE

7:00pm, Friday, March 8th with Boyish

Following the release of their new album, Blame My Ex, Toronto band the Beaches will be making their way to the Royale on March 8th. The Beaches have been releasing music for a decade, and their newest album is a testament to all of the things this four-piece group can do. They have made a space for themselves in the pop-rock genre— songs such as “Blame Brett,” “Me and Me” and “Everything is Boring” are so much fun in their sound. But many can also resonate with the lyrics, which usually have to do with heartbreak and finding yourself again. 

For those who can go to the show, the Beaches' songs are perfect for both singing and dancing, and you will for sure be living the “Sweet Life.”

- Ella Mastroianni, Blog Assistant

A circle cut-out picture of the Dells sits atop graphics of a starry night sky. A logo in the right corner reads "The Vault of Soul" and large centered text reads "The Dells."
Graphics by Sarah Tarlin

Each week of Black History Month, we open the 88.9 Vault of Soul with profiles of iconic soul pioneers. Continue reading to take a deep dive into the Dells’ incredible legacy.

 

By Annie Sarlin, Staff Writer

BIOGRAPHY

In 1952, the young men who went on to be known as “The Grandfathers of R&B,” or the “Magnificent” Dells — Marvin Junior, Johnny Funches, Lucius and Mickey McGill, Verne Allison and Chuck Barksdale — met at Thornton Township High School in Harvey, Illinois. Together, they started a doo-wop group under the name the El-Rays and practiced their singing performing on street corners to passersby. They eventually auditioned for Chess Records, where they released one single entitled “Darling, I Know,” that was largely unsuccessful. 

 

INTRODUCING THE DELLS 

After the flop of their first single, Lucius McGill left the group and the members renamed themselves the Dells, a name they kept for the rest of their decades-long career. Under this new name, they signed with Vee-Jay Records and released “Dreams of Contentment” before they hit it big with their song “Oh What A Night,” which reached number four on the R&B charts. 

 

THE ROAD TO SUCCESS

The popularity of “Oh What A Night” prompted the Dells to start traveling for performances. Sadly, while on the road, the band was in a car crash in 1958. The accident damaged McGill’s leg and injured Junior’s larynx, which also impacted his ability to sing. After this incident, they stopped performing for a couple of years. 

The members ultimately recovered and reemerged to tour as an opener for blues singer and pianist Dinah Washington in 1960. At this point, Johnny Funches, another founding member, left and the band brought in John Carter to fill his spot. 

A few years after this tour, the band rejoined Chess Records and produced the songs “Run for Cover” and “Thinking About You.” The success of these singles prompted them to go back on the road, this time with “The Genius of Soul” himself, Ray Charles

 

DECADES OF MUSIC

In 1967, the Dells released There Is, their first and most successful album. The band recorded 16 other albums in which they explored a variety of different genres including pop, doo-wop and disco. Over the course of their 50 years of recording, the group created seven gold singles, 25 top 40 hits, three gold albums and three number one Billboard R&B hits. 

In 1991, The Dells would record the single, “A Heart is A House for Love.” Their song would be featured at a critical point during the motion picture The Five Heartbeats. The movie centered around a fictitious R&B doo-wop group that was loosely based on the careers of the Dells, the Temptations, Four Tops, Wilson Pickett, James Brown, Frankie Lymon, Sam Cooke and other soulful singing acts of their time period. After the film’s release, the song would reach the #13 on the Billboard US R&B charts. It was their most successful hit of the 1990s, quite a feat for a singing group entering its 40th year of existence.

 

WHO INFLUENCED THE DELLS

 

WHO DID THE DELLS INFLUENCE

Many refer to the band as the “Grandfathers of R&B Harmony” because of their pioneering work that inspired many vocal groups that followed. In honor of their contributions, the Dells were inducted into the Rock and Roll Hall of Fame in 2004 by Robert Townsend. 

 

AWARDS AND HONORS

  • Rhythm and Blues Foundation Pioneer Award (1992)
  • 24th Annual NAACP Image Award (1992)
  • Inducted into Rock and Roll Hall of Fame (2004)
  • Inducted into Vocal Group Hall of Fame (2004)
  • Soul of American Music Award 
  • Jackie Award
  • Illinois NARAS Governors Award recipients

 

SPOTLIGHT TRACKS

“OH WHAT A NIGHT”

This song, originally recorded in 1956, was redone in 1969 with a different tempo and arrangement. In this version, Barksdale added a spoken intro to the song in which he reminisces about a magical night over a catchy bass groove. The focus then switches to the signature harmonies of the Dells. All of the vocalists blend perfectly together, even while one sings a low baritone part as another does an impressively high falsetto. Marvin Junior, the lead vocalist in the song, performs many impressive vocal riffs that make a somewhat repetitive song become dynamic and interesting throughout. 

 

“THE LOVE WE HAD (STAYS ON MY MIND)”

“The Love We Had (Stays on My Mind)” was released in 1971 on the group’s album Freedom Speaks and demonstrates the group’s versatility as singers. In just one song, the Dells transition from a soft-spoken, ballad-like sound to a powerful belt that incorporates vocal fry. This transition drives the emotion of the song and makes the heartbreak the singer shares over his lost love seem authentic and raw. While the song is less harmony-driven then many of their other songs, the background vocals are still beautiful and somehow convey feelings of sorrow, often with no lyrics other than “ooh” and “aah.”

 

“I MISS YOU”

In “I Miss You,” the Dells get a little funkier. Their signature “doo-wop” vocals provide a rhythmic accent to each phrase sung by the lead singer, who uses a much grittier tone than in their earlier songs. The song also prominently features a groovy bass line that makes it impossible not to tap your feet to the beat. It can be difficult to deviate from one’s traditional style, but this song is the perfect demonstration of the band’s unique ability to explore different genres while staying true to themselves.

 

“STAY IN MY CORNER”

Released in 1968, this power ballad of yearning love implores its beloved to literally stay by their side. Featuring live orchestration, the Dells share their vocal trademarks: the doo-wop precision and syncopated harmony. The call-response and harmony vocals between co-leads Johnny Carter and Marvin Junior strike a balance matched by very few groups. At a few points within this iconic song, the music drops, allowing the group to share their, “just a kiss from you,” echoing a capella chops. Johnny Carter’s falsetto held notes are equally matched by Marvin Junior’s hearty baritone and nearly 20 seconds of note-holding. This is a song of perfect highs and lows, and contrasting strength. 

 

You can revisit past Vault of Soul articles here, featuring artists such as James Brown, Aretha Franklin, Marvin Gaye, and more. 

Interested in exploring the soul genre beyond the vault? Be sure to tune into 88.9 every night between 10 pm and 2 am for The Secret Spot. Or, take a deep dive into R&B, hip-hop and the legendary voices of soul alongside new and pioneering MCs by streaming ERS+.

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